On summer solstice eve I was able to photograph the alignment between the circle and the setting sun over Brown Willy and the setting sun lines up well with the prominent hill. Even taking into account that in prehistory the sun wouldn’t set in exactly the same position today (it would be 2 solar discs to the right in the photo above) there is a clear correlation between the two.
Craddock Moor circle isn’t the only prehistoric site where you can watch the summer solstice sunset over Brown Willy and there is an extended line of monuments across the moor where this can be seen. These include the standing stone above the Hurlers and at Goodaver circle.
Craddock Moor circle has another alignment this time with the rising summer solstice sun and Stowe’s Hill. The winter solstice sunrise and sunset have a loose arrangement with the barrows on Caradon Hill and a rolling sunset down Tregarrick Tor. This makes it a very remarkable solstice-aligned circle.
On solstice eve I was treated to sun dogs forming either side of the sun which was a magical sight which kept me watching the skies before the sunset.
Please be aware Goodaver circle is on private land and permission must be sought before visiting it.
Within the digitalised Stanley Opie collection of photographs in Penzance’s Morrab Library, there are three images entitled “Unidentified stone circle. Possibly on Bodmin Moor”. The photos give an impression of a typical Bodmin Moor circle in the style of the Stripple Stones, situated on open moorland with extensive views. But on closer inspection, it cannot be the Stripple stones as the stones and landscape do not match details in the images.
Stanley Opie was an archaeologist who liked to take photographs of historic sites and archaeological digs in Cornwall. Born in Barncoose, Redruth in 1884 he used an Ensign Cameo No. 2 camera with Imperial Eclipse plates to take his photos between 1930–50. The collection is housed in the Morrab Library in Penzance and has been digitalised and is now accessible online and through authorised visits. During his career, he imaged many sites around Cornwall and some further afield and it must have been a huge job to try and identify some of the places in the images.
Examination of the three images shows them to be of Goodaver stone circle on Bodmin Moor. This may surprise people as a visit to the circle today is an entirely different prospect. The circle is surrounded by trees that have been grown as part of the local plantation. It gives an enticing view of how the circle may have been positioned and the possible sightlines. It allows us to postulates about astronomical alignments which may have been of importance to the original builders.
In recent times the whole site has become encircled by trees, other than a view to the west where the hillside drops to the farm and river bed below.
There was an opportunity to visit the site and image the circle before an attempt was made to match the orientation of the Opie photos and the landscape features within. It would be interesting to identify the possible sightlines from the circles if the trees were not in place, sightlines that the original builders may have had when choosing where to position their circle.
The Rabbit stone helped orientate the circle in the photos (to the left of the image
It helped that there are a number of unusually shaped stones. One in particularly got named the rabbit stone after having a similar profile of the Lindt rabbit, it can be seen on the left of this image. (I should say at this stage that the circle was heavily restored in 1906 and some of the stones are thought to have been replaced incorrectly, even upside down).
Opie Photograph no 1
This image took a bit of matching. The two central blocky looking stones and the rabbit-shaped stone on the right of the image helped orientate it. In my image below the rabbit, the stone is also to the right and slightly obscured by the rocks in front of it.
The rise in the ground beyond the circle is Brown Gelly, this is towards the southwest. This Tor is obscured by the trees in the left of the more recent image. The area has a number of interesting ancient sites on it including a number of Cairns on the top, which can be seen on the ridgeline of the image. There can be no solar or lunar alignment with these local cairns as they are too far to the south when standing within the circle.
This second image gives a more expansive view looking out from the circle to a number of ridgeways and hills beyond.
Looking at the stones in the image, the tall pointy stone and gap, next to the man at the front of the circle helped orientate the image, as did the rabbit-shaped stone behind him. The image looks from the south of the circle facing north.
The hill towards the centre-left of the image is Leskernick, it is possible that Bronn Wennili (Brown Willy) is visible to the left of the image. This is exciting as it means that standing in the circle you could have seen the summer solstice sunset over the distant hill. This is an extension of the line which starts at the newly discovered menhir on the ridge above the Hurlers circle, extends through Craddock Moor circle and the avenue at Craddock Moor, onwards to Goodaver circle. Making it possible to see the same summer solstice sunset at a number of important prehistoric locations across the moor.
Continuing to the centre-right of the image is the local plantation ridge. Fox Tor which is relatively local to the circle would have been to the right of the image.
The pointed stone which the man is stood beside in the Opie image is front left in the recent one. My image is orientated slightly differently from the old image. It would have been pointing directly down the field to the right of the modern image. Looking down the neighbouring field in recent times there is no possibility of seeing what hills lay beyond.
The Opie photo shows stones in profile against the sky above with no plantation beyond, the rabbit-shaped stone is in the front row of the circle on the central left. Matching it to my photos of the circle, it has been taken from the northwestern side of the circle down the ridge a little way. Kilmar Tor would have been visible if the photo had been taken with slightly increased elevation. This Tor is directly east from the circle and in the position of the rising sun at the equinox (midpoint between the solstices). The modern photo has been taken from higher up the hill and the craggy tops of Kilmar Tor can still be seen through the gaps made by the less dense boundary of trees.
A plan of the matched direction of the photographs taken by Opie numbered 1-3
From matching the photographs old to modern I was able to make a plan of the directions that the Opie images were taken in: The plan below it is as follows:
R = Rabbit stone
L = taller long stone
Credit: Annotated Google maps image
Finally, I should add that within the Opie photographs none were taken in the direction of Hawks Tor in the west. This has been identified by Cheryl Straffon and John Barnett as an equinox setting position when standing in the circle. When visiting the circle in more recent times the Tor can still be seen in the gap made by the plantation to the west and is the one remaining solar alignment that could be viewed in action. Maybe one day the larger plantation trees will be replaced with smaller saplings and make the other viewpoints possible.
Access to the Stanley Opie collection and all the other wonderful historic digitalised images that the library has can be made here:
The importance of the Sun has been recognised throughout history. This luminous body defined the lives of people it shone on and the clocklike regularity of its rise and the set was well understood by humanity. Due to its significance symbolic representation of the Sun stretches far back into prehistory. Designs including the Sun weren’t uncommon and by the Bronze Age examples of solar symbolism are found across a range of mediums. Drawings and designs were often abstract in nature. Representation included circles, waves and cross shapes. The cruciform shape in particular has been linked to the Sun by Mary Cahill (2015) and her work on Irish Sun discs. These are flat circular objects made of gold, designed to shine brightly when sunlight radiates onto them. The etching of a cross on the surface shows the rays of the Sun in a conceptual way, maybe representing various solar events such as; Sundogs, pillars, rays and halos. Although no Sun discs have been found in Cornwall, these golden objects have also been linked to the lunula. A lunula was found with a pair of Sun discs in Coggalbeg, Co Roscommon, confirming an association. Furthermore designs on lunula lend themselves to observation with sunlight. There are examples of lunula found here in Cornwall and if you get the chance it is worth visiting the Penlee House Gallery where the Penwith Lunula is on display.
Sun discs with cross-shaped designs were found at Tedavnet, Co. Monaghan Ireland. Image Credit: The British Museum.
Other objects discovered in Cornwall from this period incorporate a cross design. Although perhaps not as glamorous as a golden disc, local urns can include a similar decoration. Trevisker style urns are a design of urn which are predominantly found in the South West of the UK. Dating from the Bronze Age the style is known for its hash/dash and zig-zag lines and use of local materials such as gabbroic clay from the Lizard peninsular. On occasion, the urns have a cross or cruciform design within the interior of the base. This seems to be a rare occurrence but there have been examples of cross based urns found at the Trevisker village excavation, Boleigh barrow, Tregeseal chambered tomb and an example from further afield in Kent. This final example was placed in a ring ditch, and the soot recovered from inside the Urn was radio carbon-dated to 1600-1320 cal BC. It was found shattered into over 200 pieces but was reconstructed, with its internally crossed base being clearly observable. The urn from the Tregeseal chambered tomb was recovered by William Copeland Borlase in 1879. Found at the end of the passage, in a separate area, it was recovered almost complete by Borlase during his excavation. It now resides within the British Museum. Tregeseal Chambered tomb is part of a group of Bronze Age entrance graves in Penwith which include Bosiliack, Tregiffian and Pennance. As an aside radiocarbon dating results on a burial at Bosiliack gave 1690-1510 cal BC (Jones, A and Thomas, C. 2010) a similar date to the urn found in Kent. The Tregeseal urn is a large example and is 21 inches in height. The Cross shape was meticulously drawn in plan form at the time. The plan was reproduced in the London Illustrated Times and it can also be seen on the wall of the Penlee House Gallery Museum in Penzance.
Trevisker Urn from Tregeseal. Image Credit British Museum Collection Online. The cross itself would not be integral to the structure of the urn. There seems to be no practical explanation as to why an urn of this size would have this addition in the base. It is therefore interesting to consider if some Trevisker urns could be following the tradition of Sun discs and offer a design that is indicative of solar symbolism? One aspect which strengthens the case of this idea is that the Urn would have started as a disc shape on which the cross shape would be added. Then the sides would have been added to the urn creating the final vessel. Looking down from the mouth of the urn it would have clearly taken on representation of the Sun in a similar way to the Sun disc design. An alternative explanation has been offered by Kavanagh, R (1973) who suggested that the cross was added to demonstrate a bottom of a basket and was a nod to the basketry traditions of the period.
The Tregeseal Urn base – in plan. Image credit: Report by W.C Borlase circa 1879
The Tregeseal example was discovered within the tomb base up, containing cremated remains. So the cross would have been above the remains. This could have been intentional. Many funerary urns are found base up. A cross at the top could represent a number of ideas. A Sun in the dark? A route to the heavens? A set Sun? There was just one time of the year which the Sun would shine down the chamber to its rear. This was the winter solstice sunrise. A recent survey undertaken by Carolyn Kennett and Grenville Prowse supervised by Penwith Landscape Partnership archaeologist Jeanette Radcliffe found the passage to be orientated at 128degrees. This orientation towards the solar extreme of winter solstice sunrise is in common with local tombs at Bosiliack and Pennance. On this day the sunlight would shine down the passageway hitting the back upright stone at the rear. The urn was positioned behind this back stone in a separate area or cist. Although currently it is difficult to understand the full design of the tomb, as this rear section has been removed and our understanding is reliant on the original plan from the Borlase excavation. It is also worth considering if the positioning of the urn in a separate section was intentional? This position would ensure that no natural sunlight would reach the urn at any time. The symbolism may have shown that it was providing its own light, even on this important day of renewal in the solar calendar. A photograph taken by Gibson and Sons at the time of the excavation shows a possible blocking stone at the start of the passageway, which would have further limited light down the passage on the solstice. There is no evidence remaining of this stone now, so it is difficult to understand the overall effect this would have had on limiting light at the solstice. It is worth remembering that the final resting place of this urn probably came after a life of servitude. The urn in Kent had traces of animal fats within it and was probably used as a transportation vessel for food before its final role as a funerary urn. Trevisker style urns are not the only vessels to include crosses on their base. Although in general this cruciform addition to urns is rare and seems to be reserved for the more decorative funerary examples. Other examples of cross based urns have been found in Ireland, Scotland and Yorkshire. As a final thought, I doubt we shall ever know the full truth behind this oddity in the design, but it is a nice idea to consider that the cross was added by our ancestors to bring light to the darkest of places.
Cahill, M. (2015) Here comes the Sun – Solar symbolism in Early Bronze Age Ireland. Archaeology Ireland 29(1), 26-33,, 2015.
Jones, A and Thomas, C (2010) Bosiliack and a reconsideration of Entrance Graves. Proceedings of the Prehistoric Society. 76, 2010, pp 271-296.
Kavanagh, R (1973) The Encrusted Urn in Ireland, Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, Vol. 73 (1973), pp. 507-617
During the last few years, in many ways, Boscawen-ûn became a second home to me. While waiting for sunrises and sunsets I observed the change in the seasons at the circle, all accompanied by the changing looks, sounds and smells. But one thing remained the same and that was the tranquillity of the site. I kept some strange hours, as I was mainly there for sunrises or sunsets and quite often at night. More often than not I was alone in the circle, sometimes for hours on end. One of these visits, in particular, comes to the forefront of my mind. Having risen when it was still dark, I drove to the circle with the beginnings of dawn, hoping the low developing horizontal cloud would clear. I arrived in time for the sunrise of the 25th June 2016. The week had been wet and the solstice had passed behind a thick blanket of cloud. I stood atop Creeg Tol willing the low bank of clouds to blow out of the way, even though I knew I was nearly a week late to see the summer solstice sunrise. The vantage point of Creeg Tol meant that I would see the Sun peer above the horizon, something that I could not replicate in person in the circle below due to the large hedge obscuring this direction. The dawn had a stillness about it which makes it one of my favourite times of the day. The clouds were starting to disperse and right on schedule, the Sun started to peer above the horizon, accompanied by the mixed dawn chorus of birds, roosters and cattle. I photographed the sunrise from my vantage point at Creeg Tol and set off down the hill towards the circle. About halfway down into the hill I started to lose the sunrise, the Sun was setting behind the hill it had just risen from. By the time I reached the circle the Sun was once again well below the horizon. I realised that without the hedgerow I could witness the Sun rising twice, in effect a double sunrise. Once from atop Creeg Tol and then again from inside the circle. I hoped this would work in reverse: with the Sun setting visually from the circle and once again from Creeg Tol. It was an idea I would test out repeatedly over the summer months with great success. I think this double sunset and sunrise during the summer months is one of the most visually beautiful aspects of the circle. A local settlement Goldherring, which has some Bronze Age round huts is north of the site and people could have accessed the circle from the direction of Creeg Tol. Double sunsets and double sunrises are something that we can all witness from the site and this is only the beginning of what makes Boscawen-ûn astronomically special.
It is important to consider Boscawen-ûn in the landscape as holistically as possible. During this project, I wanted to consider the way the circle sat at the base of the northern hill, in what would have been a marshy area and quite possibly difficult to get access to, particularly at wet times. Why had it been positioned here? What would have been seen in the sky? It was equally important to view the site as a part of a changing landscape, where man has shaped and changed the site itself over a large period of time as well as the surrounding landscape. I am a great believer in looking what archaeoastronomy ideas have been historically suggested about a site. These historic ideas brought another list of questions such as: Is there any truth in a Lunar link at Boscawen-ûn? Does the carving on the back of the central stone light up at summer solstice? These were just the start of a list of burning questions that would keep me returning to the site, making measurements, and calculating positions of celestial objects over the coming year. Hopefully enabling me to answer if the site was built with astronomy in mind.
I started by considering if there were any alignments between the circle and features on the horizon. This meant that I needed to map out all the natural and man-made features which would have been found from the period of the stone circle. This was in itself quite a task. The internet was a wealth of information, but local knowledge from people such as Cheryl was a great help to me. Many local sites such as barrows and menhirs had disappeared and I needed to try to reconstruct where they were as accurate as possible in relation to the circle. My final list identified 48 local features or as I would name them, targets. These targets would then be considered against a number of pre-selected celestial events. If all 48 targets were considered against the chosen celestial events, statistically a match would be highly likely. For instance, if we were to consider the targets located around the site in a circle of 360 degrees. If each target considered covered 1 degree with an error of +/- 0.5 degrees a total of 96 degrees or just over a quarter of our circle would be covered in targets. (The error from this project was set as 1.04 degrees this came from a small amount of measurement error as well as error for refraction, extinction, and parallax). Statistically, this would mean that it would be far more likely for a target to make a match with a considered event. Therefore to make the project more robust I needed to reduce the number of targets. I decided first of all to consider targets that were visible from the site and only targets that sat proud against the horizon. The reduction in targets could have been undertaken in a number of ways but I felt that this made the most robust format for retesting any results. This left me with just 7 remaining targets out of the original 48 to match with my events. These were as follows:
The Lamorna Gap – yes it is just visible from the site through the hedgerows. A smaller sea gap further south to the Lamorna gap, Creeg Tol. A barrow just west of Creeg Tol, Chapel Carn Brea, Boscawen-ûn Field Menhir and finally Bunkers Hill Menhir (East). Once the targets were identified I made on-site measurements of their azimuth and altitude and this was converted into an astronomical declination. Alongside the on-site measurements, I ran a computer program called HORIZON. This also gave me declinations for my 7 targets and it acted as a test of accuracy for the on-site measurement, as well as allowing for reconstruction of the horizon behind the hidden, hedgerow covered NE direction.
Boscawen-ûn Field Menhir, with possible fallen menhir in hedge behind (Credit Cheryl Straffon)
Next, I considered which astronomical events I would examine alongside the targets. I decided to look initially at five events in total. These five events would give 14 positions along the horizon: 7 rising positions and 7 setting positions. These were the extremes of the solar calendar or the solstices, as well as the solar equinox positions. I also considered the lunar standstill positions both for lunar major and lunar minor. I then calculated the declinations of these 14 events for a date of 2500BCE. The horizon position of a solstice Sun and the lunar positions in 2500BCE has moved slightly compared to its current position, whereas the equinox would be in virtually the same place. So a rising solstice Sun would have a declination of 23.9 degrees in 2500BCE whereas it would have a declination of 23.4 degrees currently which is on a flat horizon at the latitude of Boscawen-ûn equates to an azimuth difference of 1.02 degrees.
When all this was considered I could look for matches between my 14 events and 7 targets. I could see immediately that 4 of my 7 targets declinations matched with one of the fourteen identified events, within the limits of the error I had set. The first and probably most primary of these is that an observer in the circle at 2500BCE would see the winter solstice sunrise rising from the Lamorna Gap. The Lamorna Gap at present is obscured by hedgerows, but without this vegetation would have been a subtle sea view at best. The Lamorna gap declination was measured as -23.6 +/-1.04 degrees, matching a winter solstice sunrise of 23.9 degrees. Also, you must consider that the sea view extends for more than 1 degree along the horizon and that this event could be observable over the coming millennia.
This first alignment extends through the circle to my second alignment. This is to a barrow which is no longer visible, it was located to the west of Creeg Tol. It would be in the position of the summer solstice sunset when observed from the circle. It had a measured declination of 24.3 +/- 1.04 degrees coinciding with the declination of 24.9 degrees. Equally an observer at the barrow would have been in a position to observe the winter solstice sunrise out of the Lamorna Gap. Its position just above the circle would give an observer a more advantageous height and a more pronounced view of the winter solstice sunrise from the Lamorna Gap. It is interesting to note that the winter solstice sunset at this time would just fall into the large sea gap at the Tregeseal stone circles. Although at Tregeseal the sea gap is far more pronounced, there is possible that there is a connection between the two sites on this date.
The other two matched alignments came between the circle and lunar major standstill positions. I found that the position of Creeg Tol matched the lunar major sunset northernmost position, it had a measured declination of 28.3+/-1.04 degrees coinciding with an event declination of 28.9 degrees. The nearby Boscawen-ûn Field menhir was the final alignment and it was in the lunar major sunrise position. This had a measured declination of 28.9+/1.04-degrees which coincided with the event declination of 28.15 degrees in 2500BCE. The position of the Field menhir was slightly to the west of calculated declination for the lunar alignment, but it is conceivable that another stone now recumbent in the hedge made a pair and this pair once framed the rising Moon at the extreme of the lunar major cycle. Although we should note here that it may not have necessarily been a full Moon at that time, as the Moon at its standstill declination can be at a number of positions within in its phase cycle.
Lunar standstill links are not well documented in Cornwall. They are considered a feature of recumbent stone circles in East Scotland but have also been found in western Ireland and more recently in western Scotland. The discovery of two lunar standstill points at Boscawen-ûn is both interesting and intriguing; raising more questions than it answers. Boscawen-ûn does have myths surrounding it which are linked to the lunar cycle, so this could be a feature of this site. Future work in west Penwith will consider evidence for lunar links. For instance, the Merry Maidens which I had discounted through my reduction of data, as it did not stand proud against the horizon is in the Lunar Major Standstill Southern rising position from Boscawen-ûn with a declination of 29.9 degrees. This concludes the main horizon findings but as I said I also looked at other features within the circle.
Boscawen-ûn hedge menhir (Credit Carolyn Kennett)
The positioning of the quartz stone to the SW of the circle could signify the start or end of the winter season, but due to its localised vicinity to an observer, it could never pinpoint an actual date, without another position to line it up. The stone on the opposite side could have well been used to align the position but this does not line up with anything calendrically significant. The quartz stone does though align with the cist (located in the NE of the circle) and the out of sight Boscawen-ûn Hedge menhir. The summer solstice sunrise would have occurred along this alignment around 2500BCE. This alignment was first suggested by Norman Lockyer in his consideration of the circle. There is another stone between the Hedge menhir and the stone circle, this would possibly bring inter-visibility between the circle and the Boscawen-ûn Hedge menhir. Even so, there are numerous examples of standing stones being just over brows of ridges that form alignments so this could be a viable consideration when looking at this alignment.
The edge of the foot at the bottom of the central stone is illuminated (Credit Carolyn Kennett)
Rock art carving (or either foot or axes) have been identified on the central stone. I was able to calculate the amount of time the art would be illuminated for in the year 2500BCE. The art on the back of the central stone is only fully illuminated in and around summer solstice sunrise. Without any vegetation, a full illumination would occur for 30 days on either side of the solstice. The maximum time in minutes that the art would be illuminated would occur on the summer solstice. This amount of time would reduce each day until a full illumination could not happen 31 days later. It must be noted that this measurement takes into account a completely flat landscape. Any vegetation would significantly reduce the length of time and amount of days the art would be fully illuminated. Partial illumination of the art also occurs and this time it happens both in the morning and the evening in and around the summer solstice, this partial illumination would occur over a much longer period.
There are many more suggestions that could be made particularly linking stellar events to the site. Without more accurate dating these suggestions must be taken under advisement. For instance, the Pleiades would set over Chapel Carn Brea in 1500BCE but at an earlier date of 1800BCE, it would have set to the south of the framed hill. I did consider if the central stone could have pointed at a star. The only bright star that it could have pointed at was Arcturus and this would have been at a remarkably early date of 3820BCE. This must be taken under advisement, as the stone could have moved over time. Overall the suggestions of stellar alignments without accurate dating are always difficult to suggest. It does seem that a number of astronomical features were considered by the builders of Boscawen-ûn. They certainly had an eye for the solar calendar within the design but perhaps more unusually a knowledge of the lunar cycle. This project, for me, has raised more questions than it answered and I will be continuing it by looking for further examples of lunar alignments within Cornwall and trying to draw more conclusions about the astronomical features at some of the other Cornish circle sites.
More of this story can be read about in my book Celestial Stone Circles of West Cornwall. Which can be accessed here
Having just returned from a trip to St Martin’s on the Isles of Scilly. I thought it would be worth mentioning a couple of interesting rocks that we came across while walking around the Island. I’m always on the look out of these with my partner and enjoy finding natural erratic’s which move (logan stones), or seem to have been propped up by a smaller rock. On this visit there were two of these worth mentioning from St Martin’s and then I also came across another logan earlier in the year on Bryher, while searching for the perfect place to watch the sunset.
The St Martin’s rock which moved when stood upon is found to the northern side of Chapel Downs, a short distance away from the Day Mark and just off the well trodden pathway leading around the eastern coastline. It was positioned near the coastline and a rocky outcrop, large enough to be significant in the landscape, but on a small enough pivot that it was easy enough for one person to rock back and forth.
The propped stone was a mile or so away on the Burnt Hill promontory fort, this one was spotted by my partner as I was looking at a possible entrance grave and a couple of hut circles. A large boulder had what seemed to be a natural split down the centre and one half of the rock had been propped up by a smaller boulder making a gap underneath. Whether this had happened naturally is unknown but a number of props which have had a human hand playing a part have been identified on the mainland.
The final stone worth mentioning was noticed on a trip earlier this year while visiting Bryher. Looking for a perfect place to watch a sunset, this large boulder was on the western side of Samson Hill, overlooking the entrance grave and island of Sampson. The boulder was a large and most likely natural feature about 1/3 of the way down the hill and it seemed to be the perfect spot to watch a sunset from. Climbing onboard the rock itself didn’t noticeably move, but when a second person also scrambled onto sit on the top the stone began to rock back and forth. Not only does the boulder have a great view of an entrance grave underneath it, it also has a wonderful view of the sunset, and I liked to think that people have been visiting and rocking this stone for millennia.
Wandering around Bodmin Moor there are a number of well known viewing frames and propped stones. Positioned on the hilltops and slopes of the better known tors a large number were identified by Roger Farnworth. Articles about aome of these appear in Meyn Mamvro issues 63 and 85. (meynmamvro.com).
Some of them appear to have an astronomical alignment such as the Leskernick Propped stone which has a summer solstice alignment. Many of these frame other hilltops and significant rocky outcrops. Here are two which have not been mentioned by Rogers in the articles.
Garrow Tor prop. Found of the western slopes of Garrow this propped stone frames Alex Tor. Initial assessment shows this to be orientated to the west and Alex Tor would be in the position of the midpoint (equinox) sunset. Prop found by Jamie Ashley.
A second prop on the southern slopes of Brown Willy. This one frames Hawks Tor to the south. There does not seem to be any obvious astronomical connection and the frame points in a just of South direction. Thanks to William Arnold for pointing this one out.
There are lots of props and framing stations to be found in both Penwith and on Bodmin Moor. Other blog posts on this site about these include; Little Galva framing station and Carn Kenidjack propped stone.
On May 29th as part of the CASPN’s annual day of walks and talks I led a walk from Boscawen-ûn following the Trelew line visiting a number of standing stones on route.
The Trelew line was first identified by Sir Norman Lockyer who was considering astronomical alignments from Boscawen-ûn to local features. He suggested the Trelew standing stone was in a November setting position when stood at the circle. Since then John Michel identified an intervening menhir, called Chyangwens, this is found in a local farm hedge. Visible from miles around, it is an impressive piece of granite. Another stone Toldavas extends the line further on from Trelew towards the Lamorna gap on the south coast of Penwith.
When I considered the Trelew line in my work at Boscawen-ûn I felt that it was less likely that it was used as an accurate marker of a solar position. Instead I consider that the stones radiating out from the circle were positioned to lead people either to or from the circle and the Lamorna gap, used as a route for people to travel between the two sites. A similar set of stones also radiate out from the Lamorna gap to the Merry Maidens!!
Why would people want to go to so much effort to mark a way between these two locations? If you are standing at Boscawen-ûn on the winter solstice the sun would rise out of the sea, from a cut in the horizon which the Lamorna gap makes. It is a nice idea to think that people would walk between these locations, maybe in and around the solstice itself. I don’t believe they stopped there, I think they could have continued their journey to Tregeseal to watch the winter solstice sunset in another sea gap. This time one that frames the Isles of Scilly. But that’s a longer story and for another time!!!
Anyway here are some pictures of the Trelew stone and Chyangwens.
Yesterday the evening had a break in the clouds from the run of stormy weather we have been having in West Cornwall. This gave me the opportunity to get out and try and image the supermoon over an ancient monument. The intention was to image the supermoon at a stone circle so the picture can be used for my forthcoming book on archaeoastronomy and the stone circles in West Cornwall. I knew that Boskednan would give a great horizon for the supermoon to rise above so that became my destination of choice. I knew the moor would be muddy, so I decided to park closer to Men-an-Tol rather than walk in from Ding Dong mine. Although this was a longer walk it would mean that I could also image Men-an-Tol if needed. Wow, I hadn’t expected the whole Moor to be a quagmire – it was virtually impassable in places and perhaps the wettest I had ever seen it.
The picture of Boskednan shows how wet the ground is. The Sun is setting in among the cloud – low in the Southwest. This is near to the position that the sun would set at the winter solstice, over the clearly placed Boswens Menhir. At Boskednan it was obvious that the cloud to the east of the site was pretty thick but above this bank of cloud, there were clear skies forming. As Men-an-Tol is down the hill from Boskednan I decided that this lower altitude may give the sky clearance from the cloud bank. Setting off back down the hill my walking boots decided to give up with the sole coming away from the boot at the toe -(RIP boots you have served me well – travelling mile upon mile over this landscape!!). So, making a decidedly flapping noise in the wet I gingerly set about getting down the hill to Men-an-Tol. By the time I reached this lower circle the Sun had set and the Moon had begun to rise. The Moon closest to the winter solstice sunset rises and sets in its most northerly position it also rises to its highest altitude. As a supermoon (the Moon is at one of its closest position to Earth) it makes it one of the most impressive celestial sites you can see. Unfortunately, the cloud didn’t play ball and I only managed to get glimpses of the Moon rising there is a second image below.
Self guided tours for John Couch Adams and The Hurlers in Cornwall
Newly released and in Cornwall you will find two self guided tours. The first looks at local astronomy hero John Couch Adams and takes you on a self guided trip around his home area based in Laneast and Launceston. There is lots of information about the man and his achievements and sites to be seen along the way.
The second leaflet is a tour of the Hurlers. Once again self guided, it takes you around the immediate sites. It looks at the recent archaeoastronomy developments for the sites.
These leaflets have been produced as part of a Heritage Lottery funded project by Bright Stars Dark Skies. Grab one while they last!!
Equinox brought experiments, fun and antics. Sunday was spent at The Hurlers on Bodmin Moor. We were there to celebrate the equinox weekend and the project Dark Skies Bright Stars – organised by Mayes creative. On arrival the site was shrouded with mist which added to the whole atmospherics of the event. At 2pm the event started with dancing and singing in the stones, it was wonderful to see the site used in such a creative way. The dancers were very expressive using the whole of the central circle. A choir accompanied the moves with melody, lyrics and tuneful notes. Once the mood had been set the crowd were invited to participate in an experiment. This experiment was to test the resonance of the stones. The stones themselves have flat sides and could have been used to reflect sound back to groups of people singing or making noise within them. Sound testing equipment was set up and a number of tests were undertaken. First of all the crowd was asked to line up with the stones and the sound test equipment was placed in the center of the circle. A number of notes were sung straight and in staccato. Then the crowd were asked to clap together and then one at a time. Amazingly an echo could be heard with the claps and the sound testing equipment picked up a resonance. With this early success we repeated the experiment but this time had the crowd stood in the center of the circle and the test equipment on the edge. This did not give us the same results, it in fact increased the resonance.
Bring on the drums!!
A number of drummers had been invited along to attend. It was time to check the resonance with a larger sound. The drums first of all stood with the stones and it was amazing to hear the noise echo and reverberate around the circle. But when a snare drum was brought into the circle the effect was very noticeable. The resonance of the snare drum was particularly effected when the drummer reached the center of the circle. This experiment was a huge success and shows what can be achieved by just trying out ideas and having a go!